In this wonderful comic drama, Gardner and Fanny Church are preparing to move out of their Beacon Hill house to their summer cottage on Cape Cod. Gardner, once a famous poet, now is retired. He slips in and out of senility as his wife Fanny valiantly tries to keep them both afloat. They have asked their daughter, Mags, to come home and help them move. Mags agrees, for she hopes as well to finally paint their portrait. She is now on the verge of artistic celebrity herself and hopes, by painting her parents, to come to terms with them-and they with her. As the boxes are packed, old memories are re-awakened and this unlikely trio comes to grips with their past, present, and future. Mags triumphs in the end as Fanny and Gardner actually step through the frame and become a work of art-ineffable and timeless. What emerges is a family portrait {literally and figuratively} that is zany, heartwarming, heartbreaking and true.

''Beautifully written. . . . A theatrical family portrait that has the shimmer and depth of Renoir portraits.''-N.Y. Times.

''A radiant, loving and zestfully humorous play . . . distinctly Chekhovian. Howe captures the same edgy surface of false hilarity, the same unutterable sadness beneath it, and the indomitable valor beneath both.''-Time.